Tuesday, November 29, 2011

Report Back From REEL FOOD!


REPORT BACK FROM REEL FOOD RESIDENCY
(November 5th-9th, 2011, San Francisco Bay Area)
By Natalie Difford

Chicken & Egg is committed to serving our filmmakers beyond the monetary grants we make via our bi-annual open calls. When we take on a film it is because we have seriously considered the field, the theme, and the filmmaker's voice and identify that this film and filmmaker demonstrates potential. But what happens next? Potential is great but with an ever-evolving landscape of media, filmmaking tools, and outreach possibilities filmmakers—-now more than ever-—need help navigating their craft and developing their strongest stories and characters.

In an effort to create a supportive and creative outlet for such filmmakers, Chicken & Egg Pictures is proud to present the REEL ENGAGEMENT series with our partners The Fledgling Fund and Working Films. Together, we believe in collaboration over competition. We strive to bring filmmakers working on similar topics together to hone their audience engagement strategies, understand where collaboration makes them stronger, and finally offer them an opportunity to engage with each other during a one day summit at the end of the residency.

The topic of the second 2011 residency was FOOD: Seeding Change. Over four days, nestled in beautiful San Rafael, California, we learned about topics such as what the food movement is up to and how social media can advocate for your project, all the while figuring out ways to create an effective pitch.

With the idea that this blog will help widen the reach of the lessons learned at the residency, here are a couple of useful tidbits filmmakers should be thinking about when working on their audience engagement plans.

BIG QUESTIONS YOU SHOULD ASK YOURSELF:
1. Question of sustainability: How long do you envision doing this particular project for? What should you build into your planning and fundraising to allow for that time frame?

2.What is your “return” on investment of your time and resources? What will allow you to “sleep at night”?

3. What is part of your mission and what is not? Don't take on every possible opportunity that arises —In the end, such opportunities may not be beneficial and could potentially take you away from you achieving your goals. As Sheila Leddy of the Fledgling Fund reminded us: Strategy is what you are NOT going to do.

4. What are you metrics by which to monitor your progress? This can be anything from how many Facebook “likes” you have or being integral to the passing of a bill.

5. Question yourself before you reinvent the wheel-- How can your film contribute to the movement without duplicating the work? Food Inc has a interactive “cafeteria” on their website where you can learn about all the issues they are working towards. However, to contribute to the actual social change, you can click on the food items and it will take you to the page of their partner working in that area.

6. Yes, the education market can be quite lucrative but understand that no program will take your entire curricula. Talk to those in the field, try to understand what they need and what components you have that can work in tandem with their lesson plans.

7. Impact is not centered on how many people you reach, but that you reach the right people. This is especially true if your demographic includes youth audiences. Understand your audience and how they are consuming the tools you are putting out there.

8. Be aware of specific dates and political agendas coming up that may affect your timeline. However, be wary of committing to work around them because they can then influence your priority levels. You want the resources going in and coming out of your work to be sustainable past this millisecond in time.

9. We were honored to be joined by Destin Joy Layne of GRACE Communications who contributed many of these points listed. She also made an empowering speech on the final day when she urged us all to remember that outreach does not remain an elitist tool, but that you are always working towards figuring out how the “mom at Walmart” can make her own food consumer choices without telling her how, where, and how much.

10. Another note brought up by GRACE Communications which I also encourage is that no matter what your issue is, media policy should be second on your list as our access to the Internet is being jeopardized. Read more about this issue here.


As you can imagine, a group of filmmakers and field experts who worked through these questions and honed these ideas into their own audience engagement plans made quite an impression on the advocates, funders, and NGOs present at Conference Center in Oakland. A representative from Green for All said it best when she thanked the residency for “bringing together people who wouldn’t usually talk to one another." She went on to say, that she really appreciated that such different projects were presented together because together they made her feel like her “whole person was activated.” It is exactly with this kind of collaborative spirit that we hold these group events and continue to work together with the food professionals who attend.-- All in hope of leveraging a better impact for the movement.

The residency was attended by filmmakers from: Betting the Farm, Cooked, The Lunch Love Community, Pipe Fire, Planeat, Finding North, and What's On Your Plate. For more information on these projects and their filmmakers, click here.

With great thanks to Working Films and The Fledgling Fund. Join us on Facebook for up-to-the minute tips and tidbits from other Chicken & Egg community events and workshops.

Working Films & Semper Fi Goes to Jacksonville

Robert West of Working Films, Tony Hardmon and Rachel Libert, filmmakers, and Master Sgt Jerry Ensminger traveled to Jacksonville to screen SEMPER FI: ALWAYS FAITHFUL. Read Robert West's first-hand account of the emotional experience, reposted to Chicken & Egg via Working Films.

SEMPER FI: ALWAYS FAITHFUL Comes Home to Jacksonville
November 21, 2011 by Robert West




Robert West, Working Films; Tony Hardmon and Rachel Libert, filmmakers; Master Sgt Jerry Ensminger at Cucalorus.

On Saturday, November 12, Semper Fi: Always Faithful screened at a “sold out” crowd at our local and hip indie film fest Cucalorus.

The next day, Sunday, November 13, Working Films Robert West and filmmakers Rachel Libert and Tony Hardmon took Semper Fi back home to Jacksonville, NC and Camp Lejeune for its first non-festival premiere. The film tells the story of retired Marine Jerry Ensminger’s fight for justice on behalf of U.S. soldiers and their families exposed to toxic drinking water at the Camp Lejeune Marine Corps Base, including detailed and important information about the water situation and how it affects current and former residents and employees.

After the film screening, over 120 audience members stayed for 90 minutes for a conversation with the filmmakers and Master Sgt. Ensminger; Hope Hodge, the military reporter from the Jacksonville Daily News; and David Andrews, an expert from the Environmental Working Group. Incredibly moving testimony from audience members reflected the hurt in this community, with folks sharing personal stories of their own cancers and the loss of their children or parents to rare cancers and illnesses. There were tears and anger, and solidarity in the room over their outrage at Camp Lejeune.

Jacksonville was the first stop on a planned North and South Carolina tour by Working Films and the filmmakers, with a potential national tour of other toxic military sites in 2012. And, as promised to the audience on Sunday, we will bring the film back to Jacksonville. It was very clear that this is a community that still needs a lot of answers and a conduit for collective action.

It was an amazing weekend, and then Semper Fi got great news – shortlisted for feature documentary for the Academy Awards 2012.

Read about the screening in the Jacksonville Daily News here.

(Source.)

Tuesday, November 22, 2011

Can Documentaries Change the World? Chicken & Egg co-founder Judith Helfand participates in upcoming UnionDocs Panel!

Can Documentaries Change the World? Exploring the Social Impact of Nonfiction Film
Sunday, February 12th at 4:00pm
UnionDocs Center for Documentary Arts
322 Union Ave, Williamsburg, Brooklyn

Join filmmaker and activist Judith Helfand (A Healthy Baby Girl; Blue Vinyl; Everything's Cool; Cooked), and philanthropist and filmmaker Abigail Disney (Pray the Devil Back to Hell; Women, War & Peace) in conversation with Film Sprout's Caitlin Boyle, as they explore the promise and potential of documentary to effect social change.

Nonfiction filmmaking has long been understood to inspire and educate audiences. But can documentary change the world? This public seminar explores the ways we conceive, fund, execute and measure the impact of social-issue documentary films. What makes a film a social-issue project? What separates the filmmaker from the activist--and the activist from the filmmaker? What are the economics behind films that seek not only to be seen, but to mobilize audiences for social action? And how can we evaluate their success? Take part in this lively and dynamic session to probe questions ranging from the philosophical to the practical--and to pose your own to two women at the forefront of the field.

Abigail E. Disney is a filmmaker and philanthropist whose longtime passion for women’s issues and peacebuilding culminated in her first film, Pray the Devil Back to Hell, about the Liberian women who peacefully ended their country’s fourteen-year civil war. She is currently Executive Producer of the groundbreaking PBS mini-series Women, War & Peace, the most comprehensive global media initiative ever mounted on the role of women in peace and conflict. Along with her husband, Pierre Hauser, Abigail co-founded the Daphne Foundation, which works with low-income communities in the five boroughs of New York City.

Judith Helfand is a filmmaker, activist and teacher best known for balancing humor and horror in A HEALTHY BABY GIRL (winner of the George Foster Peabody Award), BLUE VINYL, EVERYTHING’S COOL and COOKED. Committed to mentorship and the power of non-fiction media to catalyze social change, she co-founded Working Films and Chicken & Egg Pictures.

Caitlin Boyle is the founder and president of Film Sprout, a grassroots and community distribution firm that broadens the audience and social impact of documentaries through public screening events. She is the architect of national screening and audience outreach initiatives for dozens of feature documentaries, including King Corn, Pray the Devil Back to Hell, The End of the Line, A Small Act and Bag It.

In Honor of Human Rights Day: CALL ME KUCHU at Story Leads to Action, 7PM at 92YTribeca


CALL ME KUCHU
by Katherine Fairfax Wright & Malika Zouhali-Worrall
--a work-in-progress screening--
Thursday, December 15th at 7:00 PM at 92Y Tribeca

“If we keep on hiding, they will say we are not here.” – David Kato


In an unmarked office on the outskirts of Kampala, veteran activist David Kato labors to repeal Uganda’s homophobic laws and liberate his fellow lesbian, gay, bisexual and transgender men and women, or “kuchus.” But David’s formidable task just became much more difficult: a new “Anti-Homosexuality Bill” proposes death for HIV-positive gay men, and prison for anyone who fails to turn in a known homosexual. Inspired by American evangelicals who have christened Uganda ground zero in their war on the “homosexual agenda,” the bill awaits debate in Parliament. Further still, the country’s newspapers have started running stories such as: “HOMO TERROR! We Name and Shame Top Gays in the City.” David, Uganda’s first openly gay man, is one of the few who dare to publicly protest the country’s government and press. But just three weeks after a landmark court victory, he is found bludgeoned to death in his home. David’s murder sends shockwaves around the world, and leaves Kampala’s kuchus traumatized and seeking answers for a way forward.

With unprecedented access, Call Me Kuchu explores a community that is at once persecuted and consoled by the Christian faith, and examines the astounding courage required to continue battling an oppressive government, even in the wake of a brutal murder.

After the screening the filmmakers will be joined by Pierre Bairin, Media Director at Human Rights Watch and Sam Gregory, Program Director at WITNESS. The discussion will be moderated by Peabody-winning filmmaker, educator, environmentalist and co-founder of Chicken & Egg Pictures and Working Films, Judith Helfand.

Tickets are $12 - Click here to purchase tickets.
92Y Tribeca, 200 Hudson Street, New York, NY 10013

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COMING UP on STORY LEADS TO ACTION:

FEB 16th: SPECIAL OSCAR EVENT watch an Academy Award-nominated film in the lead-up to the Oscars! Find out about how social issue filmmakers are using the attention of an Oscar nomination to leverage their audience engagement campaign.

Click here for a full line-up for the 2011 - 2012 series.

REEL FOOD reports back at Story Leads to Action -- A Post-Screening Write-Up!



Last Thursday, November 17th, Story Leads to Action reported back to from the REEL FOODS residency with Catherine Gund's What’s On Your Plate? and Jessica Oreck's work-in-progress Pipe Fire.

REEL FOOD is the latest installment of Working Films' REEL ENGAGEMENT PROJECT which, with support from Chicken & Egg and The Fledgling Fund, is "a series of thematic trainings aimed at securing strategic partnerships between social issue media makers, non-profits, and other key stakeholders leading efforts for change on the crucial issues of our time." (x)

Thursday night's screening focused on illuminating food production, consumerism, and consumption. What's On Your Plate? takes a look at kids and food politics as city kids Sadie and Safiyah explore where their food comes from and how it makes its way to their plates. The film places many societal concerns, such as how food production enables global warming, into child-friendly terms, thanks to the relatable lead characters, Sadie and Safiyah.

During the panel discussion, filmmaker Catherine Gund stated that she wanted her film to act as a learning tool for both adults and children, enabling a shared language for families to open a dialogue about what they eat and why.

The panelists also included Deborah Lewison-Grant from Food Fight, Stephanie Mack from Harlem Seeds, and Maritza Owens from Harvest Home Farmers Market.

Maritza Owens from Harvest Home Farmers Market spoke about her dedication to increasing access to local, farm-fresh products in low-income New York City neighborhoods, placing 21 farmers markets throughout the city. Maritza stated that those living in these neighborhoods often have diabetes, obesity, and other chronic illnesses due to low-access to fresh fruits and vegetables. To counter this issue, Harvest Home Farmers Markets accepts governmental assistance such as food stamps and "health bucks."

Next, Stephanie Mack from Harlem Seeds spoke about how if we teach our children to nourish their bodies with healthy foods, they can do well in school, and be overall happy and lead fulfilled lives. Her program, Harlem Seeds, teaches children how to properly cook foods, and exposes them to food combinations they may never have or know how to prepare. She spoke about how important it is for children to take part in the cooking process, in order for them to be aware of food production, from start to finish.

Rounding off the panel discussion, Deborah Lewison-Grant from Food Fight spoke about how we are programmed by our environment to want to consume nutritionally bankrupt foods and beverages. With Food Fight, Deborah strives to educate a new kind of consumer--one who is aware of the sociological, economical, and political issues that enable to make smart consumer choices.

Panelists and audience members collectively agreed that we must change what is viewed as "normal" when it comes to food consumerism. A primary concern for the audience was in regards to the low-income families who may not receive the proper information or be able to afford healthier food choices. In terms of spreading information and opening a dialogue, Catherine spoke the various supplementary tools she and her crew have developed via their documentary, including an interactive book and other great items. (Click here for the What's On Your Plate shop.)

Overall, a common thread throughout the evening was the need to return to eating meals together and at a table, thereby creating a dialogue about not only what we eat, why eat it, but also about our daily lives.

Next up, Story Leads to Action screened trailer of the lovely work-in-progress Pipe Fire by Jessica Oreck. The film presents one year in the lives of traditional wild reindeer herders in Finnish Lapland and illuminates an unfamiliar bond between man and nature.

Jessica spoke about how she her interest in finding modern day "cowboys" lead her to this project. She wanted to explore what it meant to have "a sixth sense of the natural world." In the making of her project, she discovered that the reindeer herders encounter many of the same problems small farmers face: outdated government policy, climate changes, and consumer market shifts. Her goal for her project is to subvert how Americans currently view nature. She wants to challenge her audiences to engage the natural world more readily, and plans to create an interactive teaching tool around her completed project. Follow Jessica's progress at her website!

A special thanks to all of the filmmakers, panelists, and audience members who came out to show their support and discuss what it means to be conscious of our food choices in this ever-evolving world!

Check out the full Story Leads to Action series list at our website!

Next up: In honor of Human Rights Day, Call Me Kuchu a work-in-progress screening. December 15th at 92Y Tribeca!

Thursday, November 17, 2011

Working Films announces REEL AGING: REAL CHANGE residency!

REEL AGING: REAL CHANGE
March 23 - 27, 2012

ATTENTION MEDIA MAKERS ADDRESSING AGING AND ELDER RIGHTS

Working Films, with support from the John D. and Catherine T. MacArthur Foundation, announces Reel Aging: Real Change, an initiative that will tie compelling documentary films and transmedia projects that explore aging to ongoing policy work and grassroots campaigns supporting older populations globally. Reel Aging: Real Change will begin on March 23, 2012 with a four-day residency where eight to ten media teams will sharpen their strategies for audience and community engagement. On Tuesday, March 27, the teams will present their projects to regional, national and global NGOs, funders, government agencies, activists, and policy makers – all leaders in the field of aging who have a track record of supporting elder rights, respect and health. The goal: to embed the film and media projects into on-the-ground efforts by the advocates in the room. Hosted in Washington, DC in collaboration with American University’s Center for Social Media, this day-long, strategic convening will launch a collaborative campaign between the participating media makers and the NGOs.
We are seeking applications from media makers for participation in Reel Aging: Real Change. All nonfiction projects that explore the aging experience are eligible to apply, and applicants may be at any stage of production or distribution, from new and completed projects to works-in-progress.
Submission: Please complete application form online at workingfilms.org/reelaging

Application Deadline: January 6, 2012

Registration Fee: NONE. The residency includes lodging, meals, and materials. Participants are responsible for covering their own travel; stipends are available.

Please Help Spread the Word:
Please forward this announcement to friends and colleagues and share www.workingfilms.org/reelaging on Facebook and Twitter.

DOC NYC -- Panel video now online!

Couldn't make it to the fabulous panel discussions during DOC NYC's STATE OF THE INDIE DOC? Have no fear! DOC NYC has now posted segments of the panels online!

In celebration of Chicken & Egg's newly launched Mother Wit film fund, C&E supported filmmakers gathered with co-founders Judith Helfand and Wendy Ettinger to discuss their films and how they tackle tough topics.

Filmmakers included Alison Klayman (Ai Wei Wei, Never Sorry), Sara Terry (Fambul Tok), Kristi Jacobson (Hungry in America), and Lisa Collins (Oscar's Comeback), and Holen Kahn & Alessandra Zeka (A Quiet Inquisition).




Chicken & Egg co-founder Judith Helfand also moderated the STATE OF THE INDIE DOC panel CASE STUDY: TAKING ON CONTROVERSY.

Check out the video from that illuminating panel at DOC NYC's Youtube page, here.

TONIGHT! Story Leads to Action reports back from REEL FOOD with WHAT'S ON YOUR PLATE & PIPE FIRE! -- 7PM at 92YTribeca



TONIGHT!
WHAT’S ON YOUR PLATE AND PIPE FIRE
--from Working Films' REEL FOOD initiative--
at 92Y Tribeca, November 17th 7PM


What's On Your Plate? is a witty and provocative documentary about kids and food politics produced and directed by award-winning Catherine Gund. Filmed over the course of one year, the film follows two eleven-year-old city kids as they explore their place in the food chain. Sadie and Safiyah take a close look at food systems in New York City and its surrounding areas. With the camera as their companion, the girl guides talk to each other, food activists, farmers, new friends, storekeepers, their families, and the viewer, in their quest to understand what’s on all of our plates. The girls address questions regarding the origin of the food they eat, how it’s cultivated, how many miles it travels from the harvest to their plate, how it’s prepared, who prepares it, and what is done afterwards with the packaging and leftovers. The process leads the two friends to formulate sophisticated and compassionate opinions on the state of their society, and by doing so inspire hope and active engagement in others.

We will also screen the trailer for Jessica Oreck's feature work-in-progress, Pipe Fire, which presents one year in the life of traditional reindeer herders in Finnish Lapland and illuminates an unfamiliar bond between man and nature.

After the screenings, Mary Jeys, the outreach coordinator for What's On Your Plate?, will be in attendance with director Catherine Gund to share the film’s trailer and an education module and talk about the campaign’s impact. Jessica Oreck, producer/writer/director ofPipe Fire, will also join us to discuss her experience with her work-in-progress project.

We will also be joined by Deborah Lewison-Grant from Food Fight, Stephanie Mack from Harlem Seeds, and Maritza Owens from Harvest Home Farmers Market. The discussion will be moderated by Peabody-winning filmmaker, educator, environmentalist and co-founder of Chicken & Egg Pictures and Working Films, Judith Helfand.

Tickets are $12 - Click here to purchase tickets.
92Y Tribeca, 200 Hudson Street, New York, NY 10013
92Y Tribeca's cafe has an array of food and refreshments for your pre-event delight.

COMING UP on STORY LEADS TO ACTION:
DEC 15: CALL ME KUCHU, following Human Rights Day, tells the story – at once tragic and hopeful – of a tight-knit community of gay and transgender Ugandans in a country where homosexuality is a crime punishable by life imprisonment. Work-in-progress screening
Click here for a full line-up for the 2011 - 2012 series

Tuesday, November 15, 2011

CALL FOR ENTRIES - Good Pitch 2012 Announced!

GOOD PITCH EVENTS ANNOUNCED FOR 2012

We’re delighted to announce that Good Pitch is returning to New York’s Ford Foundation on May 25th 2012. There will also be Good Pitch Europe and San Francisco events in June and October, respectively. In a move away from last year’s application process, filmmakers can now submit for multiple Good Pitch events with one application form. The call for entries for all these events is now open here.

A partnership between the Channel 4 BRITDOC Foundation and The Sundance Institute Documentary Film Program, Good Pitch is an invitation-only event, starting with an intensive two-day campaign development workshop for selected filmmakers. This is followed by a day-long live event which brings together invited foundations, NGOs, social entrepreneurs, broadcasters and other media to expand the resources aimed at maximizing the impact of social-issue documentary.

The call is aimed at documentary filmmakers of any nationality working on feature-length or hour-long independent documentary film projects that tackle important global and national issues and enhance our understanding of the world. Good Pitch is open to projects looking for completion funding, outreach funding, campaigning networks, or a combination of these.

The call for entries for all Good Pitch 2012 events is now open and will close at 4pm UK time on the following days:

Good Pitch New York & Good Pitch Europe
Closing date for applications:
Wednesday 1st February, 4pm UK time

Good Pitch San Francisco
Closing date for applications:
Wednesday 9th May, 4pm UK time

Good Pitch is grateful for continued support from Chicken & Egg Pictures, Crosscurrents Foundation, Fledgling Fund, Ford Foundation, Impact Partners, Working Films, Wyncote Foundation, and anonymous donors.

For more information, and to apply go to Good Pitch.

This Thursday, REEL FOODS reports back to STORY LEADS TO ACTION, at 92Y Tribeca!


WHAT’S ON YOUR PLATE AND PIPE FIRE
--from Working Films' REEL FOOD initiative--
at 92Y Tribeca, November 17th 7PM


What's On Your Plate? is a witty and provocative documentary about kids and food politics produced and directed by award-winning Catherine Gund. Filmed over the course of one year, the film follows two eleven-year-old city kids as they explore their place in the food chain. Sadie and Safiyah take a close look at food systems in New York City and its surrounding areas. With the camera as their companion, the girl guides talk to each other, food activists, farmers, new friends, storekeepers, their families, and the viewer, in their quest to understand what’s on all of our plates. The girls address questions regarding the origin of the food they eat, how it’s cultivated, how many miles it travels from the harvest to their plate, how it’s prepared, who prepares it, and what is done afterwards with the packaging and leftovers. The process leads the two friends to formulate sophisticated and compassionate opinions on the state of their society, and by doing so inspire hope and active engagement in others.

We will also screen the trailer for Jessica Oreck's feature work-in-progress, Pipe Fire, which presents one year in the life of traditional reindeer herders in Finnish Lapland and illuminates an unfamiliar bond between man and nature.

After the screenings, Mary Jeys, the outreach coordinator for What's On Your Plate?, will be in attendance with director Catherine Gund to share the film’s trailer and an education module and talk about the campaign’s impact. Jessica Oreck, producer/writer/director ofPipe Fire, will also join us to discuss her experience with her work-in-progress project.

We will also be joined by Deborah Lewison-Grant from Food Fight, Stephanie Mack from Harlem Seeds, and Maritza Owens from Harvest Home Farmers Market. The discussion will be moderated by Peabody-winning filmmaker, educator, environmentalist and co-founder of Chicken & Egg Pictures and Working Films, Judith Helfand.

Tickets are $12 - Click here to purchase tickets.
92Y Tribeca, 200 Hudson Street, New York, NY 10013
92Y Tribeca's cafe has an array of food and refreshments for your pre-event delight.

COMING UP on STORY LEADS TO ACTION:
DEC 15: CALL ME KUCHU, following Human Rights Day, tells the story – at once tragic and hopeful – of a tight-knit community of gay and transgender Ugandans in a country where homosexuality is a crime punishable by life imprisonment. Work-in-progress screening
Click here for a full line-up for the 2011 - 2012 series

Tuesday, November 8, 2011

Chicken & Egg at DOC NYC! -- Post-panel wrap-up!

On November 3rd, as part of the DOC NYC panel series State of the Indie Doc, Chicken & Egg Pictures took part in the panel discussion "Turning Tough Topics into Great Stories."

In celebration of Chicken & Egg's newly launched Mother Wit film fund, C&E supported filmmakers gathered with co-founders Judith Helfand and Wendy Ettinger to discuss their films and how they seek to engage their audiences regarding difficult social topics such as poverty and abortion.

Filmmakers included Alison Klayman (Ai Wei Wei, Never Sorry), Sara Terry (Fambul Tok), Kristi Jacobson (Hungry in America), and Lisa Collins (Oscar's Comeback), and Holen Kahn & Alessandra Zeka (A Quiet Inquisition).

For the panelist filmmakers, it was important to create character-driven and community-driven stories in an effort to make their difficult project topics accessible and engaging for their audience. The audience is comprised of people who will be moved and seek policy shifts, people who understand the topic but seek more inspiration for continued activism, and people who want to see a story in a new and invigorating light. The filmmakers agreed that at the heart of their filmmaking, the story must connect to people in order instigate any activism, policy change, or basic awareness. A bombardment of statistics will not engage the audience as well as a film that offers up information through a character or community driven story.

After the panel, Chicken & Egg spoke to the filmmakers regarding audience engagement.

Q: What are some ways you--as the filmmaker--want to expand your narrative beyond the frame to mobilize your audience and make change?

Alison Klayman, Ai Wei Wei, Never Sorry:
A: In Ai Weiwei: Never Sorry, Ai Weiwei uses social media to report on social injustices and inspire others to engage, create and speak out. We also want to encourage fans of Weiwei and the film to get involved with the launch of the Never Retreat. Retweet. campaign. As Ai Weiwei once tweeted, "There are no outdoor sports greater than throwing stones at a dictatorship, and there is no communication as exciting as the gang-fight style of the digital world." In light of Weiwei’s 81-day detention and restrictive bail conditions, we know his ability to freely express himself online is fragile, and never guaranteed. This is a simple but impactful way of localizing Weiwei's global cause and empowering each person to keep his voice a loud part of the digital conversation. To participate in the conversation, please follow the film on Twitter: @AWWNeverSorry and let us continue Ai Weiwei's example. Never Retreat. Retweet.

Holen Kahn & Alessandra Zeka, A Quiet Inquisition:
A: One of things we've done is to think about the impact it can have while were making the film, in real on the ground ways. One of the instances of this has been to show sections of our film, to groups of doctors and nurses in the main hospital where we have been shooting in Nicaragua. These have generated some really serious discussions between them about their differing experiences and relationship to their medical practice. It has helped bring the issue of reproductive rights out into the open between them, where as before it was something rarely spoken about.

Sara Terry, Fambul Tok:
A: One of the ways we're hoping to extend Fambul Tok's message beyond our festivals and community screening campaigns is by launching an engagement campaign called "Forgive One Thing" -- which is meant to help audiences consider the impact in their own lives of apology and forgiveness.

We haven't raised the funds to create this online, interactive site yet, but here's the way we plan to invite viewers to be involved: “Forgive one thing – because the world doesn’t change until we change. And we do that one step at a time, in one act of forgiveness, one moment of peacemaking, one instance of saying you’re sorry to someone you’ve wronged. For Westerners, it may seem impossible to forgive the kinds of atrocities that Sierra Leoneans are forgiving in villages across their country. But we can start somewhere – whether it’s the person who cuts you off in traffic, the family member you haven’t spoken to in 20 years, or the ex-friend who still owes you $100. Because that’s how peace begins – first in our lives, and then in the world. So start by forgiving one thing. And while you're at it, say you’re sorry for another.”

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DOC NYC continues until Novmeber 10th!

Women & Girls Matter--Watch the panels online!

Were you unable to attend the Women & Girls Matter day of panels, last week?

Chicken & Egg Picture co-founder Judith Helfand moderated the panel Building a Community: A New Media Audience Engagement Workshop! Watch the video here and discover ways to utilize new media and technology as an engagement tool.









Video streaming by Ustream

Women & Girls Matter, a day of panels and workshops at the Media That Matters Film Festival, is designed to look at the obstacles and opportunities for women and girls in filmmaking and new media, highlight the values that we bring to our work, and open up a dialogue for ways to create new spaces for our voices in the field.

Check out more panels recorded for the event here!

Thursday, November 3, 2011

Story Leads to Action celebrates REEL FOOD with WHAT'S ON YOUR PLATE? and PIPE FIRE November 17th!



WHAT’S ON YOUR PLATE AND PIPE FIRE
FEATURED AT THIS MONTH’S
STORY LEADS TO ACTION
At 92Y Tribeca


This month at 92Y Tribeca, our STORY LEADS TO ACTION series will celebrate two films in our REEL FOOD initiative: What’s on Your Plate: two years and running with extraordinary impact and more to come, and Pipe Fire, just starting it’s engagement campaign.

What's On Your Plate? is a witty and provocative documentary about kids and food politics produced and directed by award-winning Catherine Gund, and co-produced by her daughter Sadie Rain Hope-Gund and her daughter’s friend Safiyah Kai Russell Riddle. Filmed over the course of one year, the film follows these two eleven-year-old city kids as they explore their place in the food chain. Sadie and Safiyah take a close look at food systems in New York City and its surrounding areas. With the camera as their companion, the girl guides talk to each other, food activists, farmers, new friends, storekeepers, their families, and the viewer, in their quest to understand what’s on all of our plates. The girls address questions regarding the origin of the food they eat, how it’s cultivated, how many miles it travels from the harvest to their plate, how it’s prepared, who prepares it, and what is done afterwards with the packaging and leftovers. The process leads the two friends to formulate sophisticated and compassionate opinions on the state of their society, and by doing so inspire hope and active engagement in others.

Mary Jeys, the film’s outreach coordinator, will be in attendance with Catherine Gund to share the film’s trailer and an education module and talk about the campaign’s impact. Invited guests to this celebration on the film’s success will include the educators, nonprofit partners, and individual campaign participants who have put the film and web project to work.

We will also be joined by Jessica Oreck, producer/writer/director of Pipe Fire. We’ll screen the trailer for this feature work-in-progress, which presents one year in the life of traditional reindeer herders in Finnish Lapland and illuminates an unfamiliar bond between man and nature. It tracks the Aatsinkis family through their seasonal routines as they catch and mark the new reindeer calves in the spring, herd newborns and adults in the summer, and slaughter them for food and pelts as well as mass consumption in the fall.

Both of these New York based projects will have just participated in our Reel Food residency. Judith Helfand, co-founder of Working Films and Chicken & Egg Pictures, will lead a lively and interactive discussion with the directors, invited guests, and YOU, the audience, about the success of What’s on the Plate, the promise of Pipe Fire and the outcomes of the Reel Food residency. Both these films present great case studies on how to balance the needs of a character-driven film with the needs of local, regional and global advocacy campaigns, with a focus on local efforts in New York City.

Come be part of it.--We hope to see you there!

Tickets are $12 - Click here to purchase tickets.
92Y Tribeca, 200 Hudson Street, New York, NY 10013
92Y Tribeca's cafe has an array of food and refreshments for your pre-event delight.

Click here for a full line-up for the 2011 - 2012 series!

Tuesday, November 1, 2011

Guest blogger Sara Terry discusses Fambul Tok; Chicken & Egg at DOC NYC!



On the eve of DOC NYC (November 2nd-November 11th at IFC), Chicken & Egg filmmaker Sara Terry discusses her film Fambul Tok in our C&E guest blog!

There’s a story I sometimes tell to American audiences after a screening of Fambul Tok (which is screening November 6th [buy tickets!] and November 8th [buy tickets!] at DOC NYC), about a story I read in a newspaper back when I was in high school. It was about a village in Africa – and the way that villagers dealt justice to one of their own who had committed a crime (a theft, I think it was). When the offender was caught, he was brought into the middle of the village to acknowledge his crime, and all of the residents formed a circle around him. One by one, each person addressed the offender by name – and then identified something good about him, something of value in his character. And so it went around the whole circle, the rendering of one judgment after another – not of condemnation, but of affirmation, a determination to bring the offender back to an awareness of his true self, to remind him so forcefully of his own inherent goodness that he would not commit a crime again.

I find it helps to share this story after people have seen the stunning moments of apology and forgiveness that are at the heart of Fambul Tok. I’m well aware that for a western mind-set which is convinced that law and order – and justice – are maintained by punishment and imprisonment, it’s a shock to encounter a culture and a people who believe that true justice lies in redemption and healing for individuals, and that truth-telling and forgiveness is the surest path to restoring dignity and building strong communities. It’s more than many of us can wrap our minds around.

It was a tricky thing to make a film that tries to let a culture speak for itself while being mindful of a Western audience that I fully expected would be baffled by what they were seeing on screen. Judging by the response of people who’ve seen the film in the 30 or so festivals we’ve been in since our premiere at SXSW earlier this year, Fambul Tok is doing what I hoped it would – baffling some audience members, leaving others in tears, prompting many questions and comments about whether such a process is even possible in our country (and if not, why not?).

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Chicken & Egg DOCNYC Panel!
Do you have a project idea that involves a difficult or taboo topic, but you're unsure how to move forward with your storytelling? Chicken & Egg Pictures will co-present the panel "Turning Tough Topics into Great Stories," as part of panel series STATE OF THE INDIE DOC.

Panelists will include filmmakers from Chicken & Egg-funded films Fambul Tok, Hungry in America, Oscar's Comeback, and Silent Inquisition, as well as Chicken & Egg's own Judith Helfand & Wendy Ettinger!

The panel takes place Thursday, November 3rd, 2011 at 12:45PM at IFC Center. To purchase tickets and find more information, click here!

A Chicken & Egg Friend at DOC NYC!
The Island President by Jon Shenk will screen as part of the Spotlight Gala Selection on Tuesday, November 8th at 8:30 PM. A Q&A with the filmmaker will follow, hosted by Academy-Award winner Michael Moore. Click here for more information.

Check out all these and all the other fantastic films and panels at New York's Documentary Festival!

Semper Fi kicks off the fourth season of Story Leads to Action!

On October 27th, Semper Fi: Always Faithful kicked off the fourth season of Story Leads to Action, a screening and discussion series co-produced by Chicken & Egg Pictures and Working Films.

Semper Fi: Always Faithful tells the story of retired Marine Jerry Ensminger's fight for justice on behalf of United States soldiers and their families exposed to toxic drinking water while stationed at North Carolina’s Camp LeJeune Marine Corps Base.

The post-screening panel discussion included filmmakers Rachel Libert & Tony Hardmon, Jerry Ensminger, Alex Rindler from Environmental Working Group, Charlotte Brody from Blue Green Alliance, and Lindsay Dahl from Safer Chemicals, Healthy Families.

After the screening, panelists and audience members discussed the film's success and potential in mobilizing governmental regulations of chemical exposure. Audience members voiced their concerns regarding the wide exposure to chemicals in everyday household items, as well as in food production and packaging. Cancer is replacing the common cold with exposure to unregulated chemicals becoming a part of our daily lives. Exposure is happening prior to birth with studies showing chemical exposure in fetuses still in the womb.

Panelist Charlotte Brody stated, "We need to let the war against cancer not only be about treatment." --We need to solve the causes since so many cancers are environmental and preventable. Collectively, the audience agreed the United States needs a government that protects its citizens from things they cannot protect themselves against.--The government needs to invest in jobs that repair what is broken within the weak structure of chemical and environmental regulation. This regulation will not happen unless we contact our elected officials and voice our concerns, repeatedly and loudly.

Some suggestions from both panelists and audience members for engaging change included organizing door-to-door canvassing, gathering to write letters to political representatives and hand-delivering the letters to their offices, as well as partnering environmental groups with veteran organizations to spread the word.

As stated during the discussion, we must extend the narrative out from the frame of the film and recognize this is not only a local issue within the Camp LeJeune community, but a national and global issue.--It is an everyday issue that needs a solution.

Check out Semper Fi: Always Faithful's official website for more information on how you can support the change and contact your representative.