Wednesday, May 26, 2010

Collaboration, collaboration, collaboration at the REEL ENGAGEMENT FOR THE ENERGY AND NATURAL RESOURCE REVOLUTION

Collaboration, collaboration, collaboration was the key message at the end of day two. The filmmakers spent the day hashing out key elements of an audience engagement campaign. Working towards being able to pitch and develop relationships with NGOs, funders and activists attending on the final day of the Working Films week-long workshop.

CLICK ON IMAGE TO START VIDEO:



As Jennifer Redfearn, director of SUN COME UP found out, it quickly became clear that we were dealing with “same story, different holler”; yes these films are all addressing climate change and clean energy but they all offer different stories, access and tools to reach audiences and ignite change. It was like magic dust swept the room as the filmmakers started to organically figure out ways to work with each other and compliment each other’s missions.

A common theme, that Jennifer touches upon above, emerging amongst the group is the story at the heart of the issues. STORY [not issues] LEADS TO ACTION is the ethos that drives the Chicken & Egg support and mentorship we provide to filmmakers. In the next video, Jennifer makes the link between what all the films attending share – story. Jennifer was nervous coming in to this residency because her story deals with an issue on a very local level (SUN COME UP is about climate refugees in the Carteret Islands) but, as she shares here, we learned that at the heart of even the most national, pressing, stories with mass impact are stories of a community, a family…a home. Whether it is fracking, rising oceans, wind farms, coal mining or oil there are people stories at the heart of each film and that’s what makes them powerful going out into the world.

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- Posted by Natalie Difford

Tuesday, May 25, 2010

REEL ENGAGEMENT FOR THE ENERGY AND NATURAL RESOURCE REVOLUTION: Day One

WE ARE MAKING HISTORY, says Robbie Gemmel of CAPE WIND:

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Welcome to Day One of the REEL ENGAGEMENT FOR THE ENERGY AND NATURAL RESOURCE REVOLUTION. Each day, from this week-long residency, I will be relaying back interesting information that I hope will be useful to you in your approaches to outreach, audience engagement and becoming involved with addressing climate change.

The day started with the windiest but most beautiful drive from San Francisco to Bolinas, a town so secret there isn’t even any signs for it. This residency promises to bring together a most interesting group of filmmakers because there has been such an explosion of climate change films over the last few years; will they be competitive? Will they not be willing to share their resources? And, most importantly, will they come together to form a really powerful group to tackle climate change together? Peter Bull of DIRTY BUSINESS explains why this is critical RIGHT NOW!

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As Working Films (who are facilitating the residency) mapped out what the next couple of days look like, the filmmakers shared their hopes and expectations:

“I identified my audiences and was banking on getting into more film festivals so I want to understand that better [and now feel] unclear what a strategy for getting a film like this out is”

“Doing an objective film on such a controversial and environmental topic is really challenging and [it’s hard to] figure out how you are going to strategize and who you are going to partner with because a lot of groups have their own agendas”

“How do you manage the political space of all the different organizations involved with your film (logos, collaborating, agendas etc)?”

“Acts often don’t cover everything that you think they might, how do we make audiences aware of this so the issue doesn’t lose importance…how do we get past the fatigue?”


Chicken & Egg works year-round to harness a great community and this residency is the epitome of why this is important. This isn’t outreach - in the sense that it’s not a one-way grab – filmmakers bring their own skills and experience (we have an editor, an environmental scientist, a distributor, an international producer, a grassroots organizer) which will equally inform the group. Debra Anderson shared with us the release of SPLIT ESTATE in the hope of helping others be able to work on their outreach earlier:

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This day started with the group being told by Ian Kim of the Ella Baker Center for Human Rights, that “this country is in a battle for its soul right now” and ended with the more optimistic view that “It’s amazing how many different ways there are to cook a meal.” Stay tuned to see how we can weave the challenges these films face together over the course of the week and build a stronger movement to tackle climate change.

The films at the residency are: Cape Wind, Deep Down, Dirty Business, Gasland, Split Estate, Sun Come Up, When Two Worlds Collide

Posted by Natalie Difford

Thursday, May 20, 2010

Reel Engagement for the Energy and Natural Resource Revolution: The next week in the blogosphere

Funders, Filmmakers, social media-ites, activists or even engaged audience members? The next week is devoted to you. Selected grantees of Chicken & Egg Pictures and The Fledgling Fund are getting the Working Films treatment as part of an interactive retreat powered by bold non-fiction filmmaking and strategic, on-the-ground organizing locally, globally and on the web. My mission over the course of the week-long workshop? To bring this, via the C&E blog/twitter/FB, to a wider audience so that you too can be excited, enraged and certainly engaged. I'll be sharing the journeys of the filmmakers, revelations, innovative ideas, strategic sessions anything that will help you think about how you can apply the Working Films methodology to your own projects/funding/campaigns.

Working Films has developed this innovative, week-long workshop to nurture the work of seven Chicken & Egg Pictures and Fledgling Fund supported filmmakers, all of whom are focused on the impact of unchecked natural resource extraction and/or innovative solutions for turning things around before it is too late.

This opportunity is designed for filmmakers, on-the-ground activists, policy shapers and foundation funders to creatively explore and strategize about how they can effectively leverage the launch of the respective films and their distribution venues.

Participants will focus on the design of community engagement campaigns for non-fiction films that explore the consequences of our relentless demand for energy and natural resources and that reveal glimmers of hopeful change from the emerging energy revolution. The selected films will tell character-driven stories that personally take us into these issues. Some will be based in the U.S. and others will take place in continents where the same issues are "hot" and in flux. On the ground activists will serve as truly "natural resource" people over the course of the retreat.

The underlying concept: Grassroots organizers who are in it for the LONG HAUL need more than one great film about their issue to catalyze real sustained social change.

The workshop will be held May 24-28, 2010 in the San Francisco Bay Area. We have developed an exciting format for the week long event. Filmmakers will spend the first three days learning about audience engagement methodology, honing their individual audience engagement plans, and preparing a pitch for how their films could be a tool for the participating, allied organizations. Days One, Two and Three will also feature peer-to-peer education by participating filmmakers.

On Day Four, filmmakers will come together with representatives from several non-profits and funders. This group will be strategically selected to ensure that we have a cross section of organizations that are working on state, national, and international levels. Importantly, the group will be curated to include organizations that work on the specific micro-issues that each film addresses so that each filmmaker has at least one potential non-profit match in the group, though current partners will also be taken into consideration. Filmmakers will have the opportunity to present their ideas to non-profits leaders working on these crucial environmental issues who may become partners or are in a position to offer valuable feedback on the feasibility and impact potential of their plans.

Finally, on Day 5 filmmakers will come back together for a half-day to begin implementation of the ideas generated throughout the workshop.

Check out Working Films for more info: http://www.workingfilms.org/article.php?id=302

Wednesday, May 19, 2010

Did you say films don't make a difference? I see Obama signing a bill after a campaign that Lioness was instrumental in.


On May 5, President Obama signed into law Senator Patty Murray's (D-WA) comprehensive bi-partisan legislation to prepare the Department of Veterans Affairs (VA) for the influx of women veterans who will access care there in the coming years. The law will address many of the unique needs of female veterans, particularly those returning from Iraq and Afghanistan.

The 2009 March 31st screening of LIONESS on Capitol Hill helped launch the women veterans bill, which was included in S. 1963, The Caregivers and Veterans Omnibus Health Services Act of 2010. Below, Senator Murray announces her legislation with from left, Lionesses Staff Sgt. Ranie Ruthig and Major Anastasia Breslow.



Blog post taken from http://lionessthefilm.com/2010/05/president-obama-signs-senator.html

Your prescription? To check out Orgasm Inc. Playing at the Lincoln Center, May 27th.

Chicken and Egg Pictures and Astrea Media are pleased to invite you to attend the New York Premiere of Orgasm Inc. A reception will follow the screening.

Screening Details:
Thursday, May 27 at 6:30 PM
The Film Society of Lincoln Center, Walter Reade Theater
For Ticket Information Please Click Here

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About Orgasm Inc.
In the shocking and hilarious documentary ORGASM INC., filmmaker Liz Canner takes a job editing erotic videos for a drug trial for a pharmaceutical company. Her employer is developing what they hope will be the first Viagra drug for women that wins FDA approval to treat a new disease: Female Sexual Dysfunction (FSD). Liz gains permission to film the company for her own documentary. Initially, she plans to create a movie about science and pleasure but she soon begins to suspect that her employer, along with a cadre of other medical companies, might be trying to take advantage of women (and potentially endanger their health) in pursuit of billion dollar profits. ORGASM INC. is a powerful look inside the medical industry and the marketing campaigns that are literally and figuratively reshaping our everyday lives around health, illness, desire — and that ultimate moment: orgasm.

Monday, May 10, 2010

2011 Reach Film Fellowship (deadline July 12)

Cinereach Seeking Emerging Filmmakers for $5,000 Fellowship!


Cinereach is currently seeking applicants for its annual Reach Film Fellowship (RFF). Cinereach is a not-for-profit film foundation that funds and produces films at the intersection of engaging storytelling, visual artistry, and vital subject matter.

RFF is a prestigious seven-month program that pairs filmmakers with a $5,000 grant, mentorship and other resources as they make artful short films with socially relevant themes.

The application deadline is July 12, 2010. Applications and guidelines can be found at the RFF website!

Requirements:
The fellowship is open to emerging filmmakers who have completed at least one short film. It is ideal for recent film school graduates and self-taught filmmakers with the equivalent level of production experience. Applicants must reside in the New York Tri-State area from August through April of 2010/2011.

POV’s annual call for entries is now open! Deadline June 30


POV 2011
Call For Entries
  • POV, public television's premier showcase for independent documentaries, seeks programs from all perspectives to broadcast for PBS.
  • All subjects, aesthetics approaches and length are welcome
  • Short Films are welcomed and encouraged
  • Completion funding maybe available for unfinished films
For complete guidelines and the POV submission form, please visit the POV website
All filmmakers must complete the online form to submit their films
Submission Arrival Deadline: Wednesday, June 30, 2010
Quesions? Call: (212) 989- 8121 x380 or email cfe@pov.org


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About POV (a cinema term for "point of view") is television's longest-running showcase for independent non-fiction films. POV premieres 14-16 of the best, boldest and most innovative programs every year on PBS. Since 1988, POV has presented over 275 films to public television audiences across the country. POV films are known for their intimacy, their unforgettable storytelling and their timeliness, putting a human face on contemporary social issues.